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#031 |
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Date |
January 09, 1983 |
City |
Dayton, OH |
Venue |
UD Arena |
Headline |
KISS |
Support |
Night Ranger |
Ticket |
$9.00 |
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The t-shirts and other merchandise were emblazoned with a 10th Anniversary of KISS emblem, but now in addition to Peter Criss being out of the group, Ace Frehley was missing too. Even though the new record featured Ace, along with Gene, Paul and Eric Carr, there stood a new face in KISS warpaint. My first reaction was WTF? Fans had pretty well accepted that drummer Peter Criss had been replaced by Eric Carr, an arguably better drummer at least for the style of music, and Eric donned the character of the fox to replace the catman. For live appearances, Ace was now replaced by Vinnie Vincent, who assumed the character of an Egyptian Warrior. Maybe it was just me, but it always seemed weird for an Egyptian standing there with two Jewish guys). Vincent's guitar playing was more sophisticated than Frehley's and added a new, aggressive edge to the Kiss material.
Creatures Of The Night was a stripped down rocker of an LP, probably the strongest, hardest KISS effort since long before Dynasty. The costumes were now scaled back, keeping in step with the leaner KISS for the 1980's. The stage was set up like a giant tank, with the drumkit ensconced atop the turret. KISS was sort of lost in time, a visual band from the start, now ironically having a lot of difficulty adapting to the very visual MTV generation. This was frankly the lowest point that I ever saw KISS and it boasted the smallest crowd. The arena was barely populated when the house lights went down. Paul Stanley used the stage as if it were a pulpit to rant and rave against their critics. The emotion translated to edge and grit, like the days prior to success. To the future benefit of the music, the band had to fight to hang on. Be that as it may, the show was intense and every bit as entertaining as a KISS fan would come to expect. I used to drag people to KISS concerts just to convert them and it always worked, because no matter what, you could always count on a value packed night for your entertainment dollar. Yes, I was disappointed that Ace Frehley was no longer with the band. Yes, I even felt a bit betrayed by the fact that Ace was on the cover of Creatures but a no show in the studio or the tour. But looking back, I'm glad I saw Vinnie in make-up as the Egyptian, because this phase of KISS in make-up didnt last very long.
SETLIST:
Creatures Of The Night
Detroit Rock City
Calling Dr. Love
Firehouse
I Want You
I Love It Loud
Cold Gin
God Of Thunder
Love Gun
Drum Solo
War Machine
I Still Love You
Shout It Out Loud
Black Diamond
Rock And Roll All Nite
NIGHT RANGER SETLIST:
Don't Tell Me You Love Me
Play Rough
Can't Find Me a Thrill
Eddie's Comin' Out Tonight
Night Ranger
Sing Me Away
Call My Name
Night Ranger was a welcome support act. They had canvassed the Cincinnati area a number of times previously, promoting their debut album, Dawn Patrol. Additional interest was stirred by the fact that Night Ranger lead guitarist, Brad Gillis, had been a one time replacement for the late Randy Rhoads in Ozzy Osbourne's band. He can be heard on Ozzy's Speak Of The Devil album. Because of the extra blue roots effort to build a midwestern fanbase, Night Ranger's set was familiar to fans and very enjoyable. In other words, they rawked.
KISS |
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NIGHT RANGER |
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#032 |
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Date |
April 05, 1983 |
City |
Cincinnati, OH |
Venue |
Cincinnati Gardens |
Headline |
BILLY SQUIER |
Support |
Def Leppard |
Ticket |
$10.00 |
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A radio DJ in Cincinnati locked himself inside the studio and played Everybody Wants You over and over and over. The stunt caught national attention and Billy Squier agreed to include Cincinnati on the U.S. leg of his Emotions In Motion tour. By this time, Squier was enjoying a great deal of success, having toured the U.S. with Foreigner, Queen and now two solid pop/rock albums from which to draw material. His concerts were straight forward rock and roll, powered by an ample band. Squier, not satisfied to rest on previous accomplishments, hired upcoming U.K. rockers Def Leppard to open the shows. Having a hardworking support act on the bill forced Squier and his band to go to work even harder. Def Leppard was in the U.S. touring in support of their third album Pyromania, which would later catch fire internationally and launch the band into worldwide popularity.
Def Leppard were building quite a lot of momentum of their own. Having toured with Ozzy Osbourne, the brits were well rehearsed and rocked the Gardens.
BILLY SQUIER SETLIST:
Everybody Wants You
Whadda You Want From Me
I Need You
Catch 22
Learn How to Live
My Kinda Lover
Too Daze Gone
She's a Runner
Emotions in Motion
Listen to the Heartbeat
Lonely Is the Night
In the Dark
The Stroke
Keep Me Satisfied
Rip This Joint (Rolling Stones cover)
DEF LEPPARD SETLIST:
Rock! Rock! (Till You Drop)
Rock Brigade
High & Dry (Saturday Night)
Another Hit and Run
Billy's Got a Gun
Photograph
Rock of Ages
Bringin' on the Heartbreak
Switch 625
Guitar Solo
Let It Go
Guitar Solo
Wasted
Travelin' Band (Creedence Clearwater Revival cover)
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#035 |
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Date |
Sept 09, 1983 |
City |
Bloomington, IN |
Venue |
IU Assembly Hall |
Headline |
NEIL YOUNG |
Support |
N/A |
Ticket |
$12.50 |
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As expected, an evening with Neil Young was a phenomenal performance...at least for the first two sets. With a stage set designed like a large living room, complete with fireplace, Young was relaxed and comfortable. Surrounded by a semi-circle of stringed instruments including guitars and banjos, Young made his way from his chair to replace one guitar and select another. On occasion he would amble to one of two different pianos, playing what seemed like a random selection of acoustic songs. Pianos, harmonicas, banjos and guitars, Neil Young was free to play what he felt, free from Crazy Horse and other trappings. Anyone who has followed Young for any length of time knows that with Neil Young comes surprises - some good and some not so good. This night was no different, as the third set presented Neil Young transformed into the woefully bad Neil Young and The Shocking Pinks, a tongue-in-cheek rockabilly act that could hardly be taken seriously.
SETS 1 and 2 Neil Young Solo:
Comes A Time
Love Is A Rose
Down By The River
Too Far Gone
Only Love Can Break Your Heart
Old Ways
Old Man
Helpless
Dance, Dance, Dance
Heart Of Gold
Don't Be Denied
Sail Away
Powderfinger
Ohio
After The Gold Rush
I Got A Problem
My My, Hey Hey
Mr. Soul
Sugar Mountain
SET 3 Neil Young and the Shocking Pinks
Jellyroll Man
Wonderin'
Payola Blues
Get Gone
Don't Take Your Love Away From Me
Everybody's Rockin'
Do You Wanna Dance?
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#036 |
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Date |
December 01, 1983 |
City |
Dayton, OH |
Venue |
Hara Arena |
Headline |
HEART |
Co-headline |
KANSAS |
Ticket |
$12.50 |
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I think this was supposed to have been a co-headline bill, but after so much time, I cannot recall who finished the show on this particular night. Singer Steve Walsh left Kansas to pursue solo efforts with Streets and the band replaced him with vocalist John Elephante. Drastic Measures was Elephante's second outting with Kansas and they had scored well on the new album with the radio singles Everybody's My Friend and Fight Fire With Fire. However the performance here was decent, it just wasn't great and lacked something without Steve Walsh fronting the band.
Following the hitless Private Auditions album, Heart had returned to the front lines with Passionworks and a new, 80's rock single, How Can I Refuse. Their live concert featured this along with a number of past hits, including Barracuda, Even It Up and Straight On. The Wilson sisters were taking a bold new turn toward a sexier image, which would go on to dominate their direction for the next few years. Say what you will about a more commercial image though, when the lights go down and the curtain goes up, Heart still put on a tremendous show.
HEART SETLIST:
Sleep Alone
Blue Guitar
City's Burning
Crazy on You
(Beat By) Jealousy
Magic Man
Mistral Wind
Love Mistake
Johnny Moon
Straight On
Even It Up
Bebe Le Strange
How Can I Refuse
Allies
Barracuda
KANSAS SETLIST:
Fight Fire With Fire
Point of Know Return
Everybody's My Friend
What's on My Mind
Play the Game Tonight
Hold On
Andi
Dust in the Wind
Crossfire
Get Rich
Magnum Opus
Carry On Wayward Son
HEART |
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KANSAS |
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#037 |
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Date |
December 16, 1983 |
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City |
Indianapolis, IN |
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Venue |
IN Conv Center |
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Headline |
BLUE OYSTER CULT |
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Support |
Aldo Nova, Dokken |
Ticket |
N/A |
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Back home for the holidays, it didn't take much convincing from a friend to check out Blue Oyster Cult and Aldo Nova. We didn't really know that much about Dokken at the time. I had heard their debut release, Breaking The Chains, but didn't really think the band would rise up from the never ending pool of imposter bands that languished on the vine during the 1980's. They proved along the way that they had a few more resources than most of those groups and they did eventually enjoy some worldwide success, largely on the fret work of guitarist George Lynch. Dokken was very impressive though.
Aldo Nova, supporting his second album Subject, delivered a solid concert with material from two albums, once again including his hit Fantasy. Where last I saw Aldo Nova, he lacked volume, this time around the show was louder and better suited for his material.
Blue Oyster Cult was rather legendary by now for concerts featuring their menacing walking Godzilla mascot and wrist fired laser lights. Revolution By Night was certainly not one of their greatest releases but the timing was relatively soon after major success of Fire of Unknown Origins. I thought the show was good, but kind of expected more from the Godzilla gimmick, which came across a la Spinal Tap-like.
BLUE OYSTER CULT SETLIST:
ME 262
E.T.I. (Extra Terrestrial Intelligence)
Hot Rails to Hell
Born to Rock
Cities on Flame With Rock and Roll
Burnin' for You
Take Me Away
Joan Crawford
(Don't Fear) The Reaper
Godzilla
Feel the Thunder
Born to Be Wild (Mars Bonfire cover)
Encore:
Let Go
Roadhouse Blues (Doors cover)
DOKKEN SETLIST:
Paris Is Burning
Going Under
Young Girls
In The Middle
Hit And Run
Night Rider
Live To Rock, Rock To Live
Breaking The Chains
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ALDO NOVA |
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DOKKEN |
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